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Showing posts from August, 2019

THE BEATLES AND HUMAN CAPITAL

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When I had an idea to establish Sumatra Heritage Trust (BWS) in Medan, there was hardly anyone with appropriate skills available on the grass-root level. People who were familiar with the idea of cultural heritage, in this case, historical buildings, were mostly lecturers at the local universities. We need representatives from the private sector (for financial and facilities sources) and community (as volunteers for implementation of plans and programs). That was a general idea when I looked for who was in town that I could approach to set up the organization. Medan specifically and Sumatra generally are too precious to be left alone for their cultural heritage assets without local guardians. It took me about a year to finally gather necessary numbers of the Founders of Sumatra Heritage Trust. A promising formation of 4 entrepreneurs, 2 lecturers, and 2 community representatives.  The next homework was to educate local youngsters to be cultural heritage professionals. We recr

X FACTORS OF HERITAGE CONSERVATION

Every time I was in the middle of discussions, trainings and any other events in Indonesia, I was often reminded about the presence of X Factors in heritage conservation. The first X Factor is a superstitious idea about old (read: historical) buildings. The superstitious idea is mostly about ghosts that are believed to occupy rooms and buildings. I never encountered any scientific references about how to deal with the superstitious ideas in heritage conservation. The issue about ghosts might be considered not scientific, that is why.  No matter how superstitious it is, the issue exists and as a professional, I have to deal with it. I have witnessed how this superstitious state of mind has affected the decision-making process in an adaptive reuse process of historical buildings. Layers of history are demolished and polished to be completely new features to invite visitors who are otherwise will not come to the historical buildings. It hurts and sad actually to see that the layer