Heritage Corner

The industry is one of the most exciting fields in cultural heritage to look at, especially in Asia, where industrial heritage is not widely known yet. The industry associates more with economic development but not yet with social and cultural development. This should be changed considering that the industry becomes one of the development backbones of Asia. Assets and potentials are tremendous. Interests and enthusiasm, especially from young professionals are huge. Everybody is hungry and thirsty for knowledge and examples from the field! Those are my personal motivation why I dedicate my attention in the last few years to industrial heritage in Asia and in Indonesia specifically. It is with pleasure to be part of the ANIH (Asian Network for Industrial Heritage) with its newly launched website. Through this website, we can see we do our best to promote the industrial heritage of Asia for larger public.  In 2020, ANIH will hold its Third Forum in Sawahlunto, Indonesia. For th

A while ago I visited an exhibition with a theme Things That Matters in the Tropen Museum, Amsterdam.  In the exhibition, there were several angles were exposed: what we wear, when we feel at home, how climate changes our culture, our happy memories from home, how we create new life, the meaning of language, beliefs, fighting for our ideals, and celebrations.  One of the topics in the exhibition is about claiming a culture. When can we say that culture belongs to us? These are the words quoted from the Tropen Museum: Sharing or stealing? Is it acceptable to take over things over from a culture that’s not your own? And who gets to decide? In the last few years, there’s been much debate about issues like these, particularly on social media. This debate focuses on cultural appropriation: the co-option of elements from another culture for one’s own purposes or profit. Things like symbols, clothing, hairstyles, dance, music or language, for example. Obviously, culture is